A number of the comments made in response to my sort-of recent post on the Ethics
 and Historicity of Photo "Restoration" started me thinking about 
photography and genealogy in general. There is a saying that the camera 
never lies. Some pundits have added the comment to read, photographs 
never lie until you edit them. As genealogists are we seeking Truth 
(with a capital T) or is genealogy an art where we express our 
subjective thoughts and impose them on history?
Is truth 
objective or subjective? Or both? What role do photographs have in 
understanding the truth of genealogy? Does it make a difference to my 
perception of historical truth if I can see photograph or a moving 
picture? If I know that my great-grandfather's name was Henry Martin 
Tanner, what does it add to see a picture?
This
 is Henry and his wife Eliza and three of his seventeen children. What 
do you know about Henry Tanner that you didn't know before looking at 
the picture? The picture, for all it is worth, is no substitute for the 
story, in words, of Henry's life. If you were doing genealogy and like 
the fairy tales, only had one wish, would you wish for a narrative 
biography or a photo? What if I had told you that the photo was of John 
Brown of Albuquerque, New Mexico? Would your perception of the photo 
change? What if I told you that the photo was of an unidentified family? What is the value of unidentified photos? What kind of effort 
would you make to identify a photo? Would it matter if you found the 
photo in your grandmother's diary as opposed to finding the photo in 
second-hand store? By the way, the photo really is Henry Martin Tanner and his wife Eliza Ellen Parkinson. But a photo will always be ancillary to sourced information about a family or individual.
Why am I asking these questions? Hmm. The answer is pretty 
simple. We are so saturated with images of every kind, we take images 
for granted. Right where I am sitting writing, I can see dozens, perhaps
 hundreds of images. But this was not always true. As you can see from 
the photo of Henry and Eliza and children, this photo was not a casual, 
spur of the moment thing. It took time, preparation and effort and as a 
result, the photographer captured something of the soul of the family. 
There truly is something so unique about the photo that the trite 
saying, mere words cannot express, is literally true.
Why, if I am a photographer, do I take pictures primarily of 
landscapes and buildings? Why don't I take pictures of people? (Before 
you get too worried, I really do take a lot of pictures of people, I 
just don't use them on the Internet. I am using the question in a 
rhetorical sense). If pictures are so important, what about all the 
people in your family who lived before the invention of photography?
OK, let's get serious. Photography is a art with a large measure 
of technology and science. I may worry a lot about whether or not a 
photograph is good or bad, but when it comes to photos of my now long 
dead ancestors, the quality of the photograph is more of a bonus than a 
requirement. No matter how poorly taken, if the photograph of my 
great-grandmother is the only one I have, I will treasure it. But to 
what extent is photography merely an adjunct to genealogy?
I think photography is valuable in itself as an art form and way 
to translate reality. It is really not much different that any other 
medium of expression, such as words or sculpture. But 
as genealogists and historians we view photos as something entirely 
different, they are not so much art but a confirmation of reality. No matter how much you have written about an individual or family, if you find a photograph, the person instantly becomes more tangible and the history comes alive.
 
 
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